SMASHING

ZOIC FILMS PRESENTS — A NEW FILM

a wonderfully loopy and poetic love story

A SHY GIRL SMASHES OUT OF LONELINESS

Unexpected joy. Delightful anticipation.

Written, produced & directed by Juliet Darling
Almudena Amor  ·  Alex Austin  ·  Waris Ahluwalia  ·  Stella Ye  ·  Tony Llewellyn-Jones

“I read Smashing this morning and I found it utterly charming and wonderfully loopy and poetic, and it's gorgeous uncynical belief in love and romance and delight did something lovely to my heart.”

BEN WHISHAW, ACTOR

“It's funny, odd and clever. The physical world Juliet creates is so specific and detailed; and the two young lonely people moving through it, with such longings, are very touching.”

LAURA JONES — SCREENWRITER, AN ANGEL AT MY TABLE

“Smashing is told with a light touch. Embedded with a sense of wonder, it operates on a deeper level, as we come to understand the struggles of a wonderfully unpredictable young woman: timid and passionate, delicate and strong, a spirit which soars above the humdrum – one who represents us all at our most vulnerable.”

NICK WATERLOW OAM

“Darling is a natural story-teller with an eye for the tragi-comic, compassionate and quirky that make the experience of reading her work unique.”

REBECCA SWIFT — DIRECTOR, TLC

Almudena Amor · Stephan Polman NSC

Alex Austin · Stephan Polman NSC

THE FILM

Two lonely people move through a very specific, very physical world: a yellow car, a wrought-iron gate, roses held through the bars. Neither of them expects the other. Smashing is a love story about the small violence it takes to leave your own company.

A woman with long brown hair wearing a black graphic t-shirt and black pants, standing next to a yellow luggage cart in a parking garage.

Almudena Amor · Kirsty Griffen

STARRING

ALMUDENA AMOR
ALEX AUSTIN
WARIS AHLUWALIA
STELLA YE
TONY LLEWELLYN-JONES

CREW

Written, produced and directed by Juliet Darling
Executive producers Kerr Neilson, Andrew Cameron
Associate producer Jane Corden
Producer Steven McKinnon
Casting Karie Koppel
Director of photography Stephan Polman NSC
Editor Ben Blick-Hodge
Colourist Olivier Fontenay
Sound designer Robert Mackenzie
Art director Elle Frederiksen
Stills Kirsty Griffen

POSTERS

Poster design Miles Sale

A film poster for 'Smashing', a woman leaning on the open door of a yellow car, smiling at a man sitting inside the car, with a blue sky and few clouds in the background.
A film poster for 'Smashing', a woman leaning on the open door of a yellow car, smiling at a man sitting inside the car, with a blue sky and few clouds in the background.

Almudena Amor and Alex Austin

A film poster for 'Smashing', featuring a man with a beard and turban holding a yellow rose behind a decorative metal gate. The poster is yellow with black and white text.

Waris Ahluwalia

Black and white poster for a film titled "Smashing" featuring a woman with long wavy hair looking off to the side, with trees in the background. The poster includes the tagline "a wonderfully loopy and poetic love story" and lists the main cast, crew, and production team.

Almudena Amor

TWENTY-FIVE YEARS OF LOOKING AT PEOPLE

FILMS & VIDEO WORK

Two women sitting on a park bench, wearing similar dark clothing and scarves with bows, holding handbags.

A PAIR OF ONE

DOCUMENTARY

A film about Greta and Freda Chaplin — identical twins from York who moved, dressed and spoke in unison for most of their lives.

“A film that sparkles with the crazy quirkiness of the far edges of humanity, yet resonates with the essence of every human.”

Director, producer, screenwriter Juliet Darling
Narrated by Judy Davis
Photography Sally Bongers, Dennis Crossan, Willem Helvie

Sydney Film Festival official selection badge with laurel wreath design and the year 1987.

St Kilda Film Festival

“From Juliet Darling’s film comes something more than freakish tragedy. They physically represent our deepest fears and wishes about identity.”

THE GUARDIAN, UK

“An extraordinary film about Greta and Freda Chaplin, identical twins who act in unison and refuse to be parted.”

SUNDAY TIMES, UK

“A strange mix of the bizarre and the poignant in this extraordinary film.”

SUNDAY TELEGRAPH, UK

“A moving film. Truth really is stranger than fiction.”

THE GUARDIAN, UK

“Being Australian you'll probably drop your knitting several times as this hilarious but disconcerting documentary unfolds.”

EXPRESS, PERTH

DEAD LETTERS

DOCUMENTARY · ABC TELEVISION

Brochure cover for the film "Dead Letters" by Juliet Darling, featuring a person sitting against a metal wall, with another person standing nearby, holding a plastic bag.

Inside the Dead Letter Office, where three postal workers open eight thousand undeliverable letters a week looking for a return address. Love letters, hate mail, a dead fish.

Director & screenwriter Juliet Darling
Associate producer Jane Campion
Photography Paul Elliott
Editor Jane Moran
Music David Hewitt

Nominated, Best Documentary — Banff Film Festival

“A canny combination of the sad, pathetic, funny and bizarre.”

SYDNEY MORNING HERALD

ONE NIGHT IN ATLANTA

2017 · VIDEO WORK

Two men face each other in a dimly lit setting, one older with gray hair and the other younger with dark hair and a beard. The older man is holding out his hand, while the younger man holds a yellow flower. The image includes text about the film "One Night in Atlanta" and mentions the Oxford International Film Festival.

Shot in slow motion, where almost all of the action is internal. Two men in a room, and the relentless movement of time.

Director, producer, screenwriter Juliet Darling
Photography Tom Hurwitz
With Ben Whishaw, Kenneth Tigar

Best Experimental Film — Oxford International Film Festival, 2017

Gold laurel wreath surrounding the text "Oxford International Film Festival Best Experimental Film" with "OXIFF2017" at the top.

Supported by the Australia Council for the Arts.

WAIT

2017 · THREE-CHANNEL VIDEO

Crowd of people gathered in an art gallery, many taking photos and videos of the paintings on the walls.

A trilogy about waiting: a few waiting in front of a painting — the Mona Lisa, though we never see it — surfers waiting on the ocean, strangers waiting to meet.

Mona Lisa · Bondi · Town Hall
Roslyn Oxley9 Gallery, Sydney
Centre for Contemporary Photography, Melbourne
Art Basel Hong Kong, film sector

“Its triumph is that it never becomes merely ‘documentary’, its intimacy is never intrusive.”

DAVID MALOUF

People surfing and swimming in the ocean, with a book title "An encounter with time" and author Juliet Darling on a magazine two-page spread, with the subtitle 'Juliet Darling's WAIT' and the author David Malouf, Sydney.

PRESS

Clipped newspaper article titled 'a letter-perfect documentary' from Sydney Morning Herald, October 4, 1997, reviewed by Tony Squires.

A LETTER-PERFECT DOCUMENTARY

Sydney Morning Herald · 4 October 1997

Black and white newspaper clipping featuring two women, Greta and Freda, standing outdoors with serious expressions, holding cloth bags, and wearing scarves tied around their necks.

HILARIOUSLY FUNNY, ACHINGLY SAD

Sun-Herald

A woman with glasses, smiling, wearing a black blazer and white shirt, holding a dead fish by its tail over a desk full of papers, in a cheerful manner.

A STRANGE, SAD, THOROUGHLY COMPELLING PEEK AT SOCIETY’S UNDERSIDE

The Australian

ABOUT

Juliet Darling · Ronaldus Shamask

JULIET DARLING

Juliet Darling is an artist, writer and filmmaker based in Sydney. She works across documentary, video installation and fiction, and her films have shown at Sydney Film Festival, Roslyn Oxley9 Gallery, the Centre for Contemporary Photography and Art Basel Hong Kong.

Her memoir A Double Spring was published by Allen and Unwin in 2015. Her work returns, again and again, to interpersonal communion — the self in relationship with others.

Smashing — short fiction

2017

One Night In Atlanta — video work

2015

WAIT — three-channel video

2015

A Double Spring — memoir, Allen & Unwin

1997

Dead Letters — documentary, ABC, Channel 4, ZDF

1987

A Pair of One — documentary, SBS, Channel 4, ZDF

“Juliet Darling has written a book about the worst nightmare one could imagine, but her focus is throughout on the quality and depth of the love she and Nick shared and celebrated in their ten years together. She is a highly visual, poetic writer, and her reflections are restrained, often unexpected, and memorable. There is lots of beauty here.”

STEPHANIE DORWICK, ON A DOUBLE SPRING

“Juliet Darling's novel Mercy Annie fascinated me from the beginning. I thought it original and authentic. I was delighted by its fresh voice; honest, yearning, confessional, female.”

JANE CAMPION, WRITER AND FILM DIRECTOR — THE PIANO, THE POWER OF THE DOG

GET IN TOUCH

Festivals & programming — studio@zoicfilms.com
Press & general enquiries — studio@zoicfilms.com